I’m a little confused. According to Matador’s website, she signed with them in 1996. She released seven albums with the label before being unceremoniously dropped a few years ago, when they (wrongly) deemed her 2018 album Wanderer not good enough to put out. They had implored her to give them hits, and she had tried – 2012’s poppier Sun

, she had a psychotic breakdown and was hospitalised, and throughout the Nineties and Noughties her live shows were erratic affairs. She would turn her back to the audience, moon them, encourage them to sue her, slur through a few songs, and then walk off without finishing the takım.

For the past two years, that genius katışıksız been put to more practical use – teaching her seven-year-old son Boaz to read, write and do maths during the pandemic. She had him in 2015, with a man she dated for a few months and katışıksız never publicly named.

Growing up in the South, Charlyn “Chan” Marshall was influenced by church hymns, country music, the blues played by her musician father, and her stepfather’s rock ’n’ roll records.

Back on the bed, she raises one arm into the air bey if she’s asking a question in class, and holds it there kakım she talks. “I have a million favourite songs. Everybody who has a brain in their head, with a heart in their body, loves music.

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, she saf always been something of a cult figure. “Marshall’s music will one day be spoken about the way we talk about Bob Dylan’s music, or Neil Young’s music,” wrote a New York Magazine

It takes a certain kind of character to make music like Marshall’s. A sprawling mix of blues, rock and folk, it is birli frank and impassioned bey she is.

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Critics have noted the constant evolution of Cat Power's sound, with a mix of punk, folk and blues on her earliest albums, and elements of soul and other genres more prevalent in her later material.[7]

She tries derece to dwell on the bad stuff, just like she doesn’t dwell on turning down a million dollars. “I don’t regret the things that I’ve done,” she says.

Half an hour later, catpower Marshall finally opens her door, and that bleariness katışıksız converted into a capricious energy. The lights are off, the curtains are shut, but the 49-year-old is so buzzy, I could swear she’s emitting her own light source. She starts arranging pillows for me at the end of her bed, then clocks me eyeing up her dark-blue boiler suit, which has the name “Dave” on the chest and rips in the armpits.

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Now, 20 years on, she’s got a third covers album, the aptly named Covers – a spacey but intimate collection that includes songs by Nick Cave, Billie Holiday and Frank Ocean, demonstrating once again the transformative power of Marshall’s singing. To have your song covered by her is to have it pared back to its very essence.